Sweeps emphasis across the whole field to reveal interference structure. Not a guitar effect.
Save your field, recall it, or share it as a link. Shared fields appear active but wait for Start Audio.
Low carriers. Lay one or two beneath your selected frequencies to establish the field.
Sixty-four tones aligned with the Gene Keys and I Ching sequence. Search by number or siddhi.
Combine with tones. The wah slowly opens and closes a moving filter — a breathing, shoreline quality.
This is not music. It is a ternary harmonic lattice built from 64 frequencies aligned with the Gene Keys and I Ching sequence. Each frequency may be explored individually or combined with others to create harmonic fields and interference patterns.
Many listeners report meditation support, relaxation, dream activity, altered perception of space, increased awareness of subtle body sensations, and emergent beat patterns.
There is no correct way to use the instrument. Experiment. Listen through the tones rather than to them.
Sine — Pure tone, no added harmonic content. Reveals the fundamental relationships and beat patterns between frequencies.
Triangle — Soft harmonic content. Smooth and spacious, introducing gentle overtone structure.
Sawtooth — Rich harmonic spectrum. Produces dense interference patterns and complex harmonic interaction.
Square — Strong harmonic character. Can emphasize rhythmic beating and standing-wave effects.
Sine waves reveal the lattice most directly. The other waveforms reveal how the lattice behaves as harmonic complexity increases.
Spark — 20.85 Hz. Low subharmonic field tone often used for deeper body and fascia entrainment. Works best with a good subwoofer or bass-capable headphones. Many headphones technically reach near twenty hertz, though quality varies significantly.
Anchor — 29.48 Hz. Low subharmonic tone corresponding to the coherence-anchor field. Useful as a centering carrier beneath selected Gene Key frequencies.
Aux Tone — 33.33 Hz. Auxiliary torsion tone. Not one of the primary mapped Gene Key frequencies. Included because it interacts strongly with the lattice field and can function as a moving canvas beneath the other tones.
Use one or two root tones beneath your selected frequencies. Many users find they help establish the harmonic field upon which the rest of the lattice unfolds.
White Noise — Equal energy across frequencies. Bright and airy.
Brown Noise — Emphasizes lower frequencies. Deep and grounding.
Noise may be combined with tones. The Wah controls slowly open and close a moving filter through the noise field. Many listeners find this creates a breathing or shoreline-like quality.
The master phaser operates across the entire harmonic field. Its purpose is exploration. By slowly shifting which frequencies are emphasized, different interference structures and harmonic relationships become more apparent.
Try no phaser, slow phaser, deep phaser, and wide stereo phaser — and notice how the field changes.
If this instrument supports your practice, meditation, exploration, or creative work, contributions are welcome.
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