Lattice Tone Console

Ternary Harmonic Exploration
the field, at rest
Master
70%
Master Phaser

Sweeps emphasis across the whole field to reveal interference structure. Not a guitar effect.

0.010
50
30
50
50
Master Stereo Imager

Widens the field after the phaser. Mid/Side opens placed tones; Micro-Delay adds space to centered ones. Subtle by design.

120%
3.0
25
Presets

Save your field, recall it, or share it as a link. Shared fields appear active but wait for Start Audio.

Meditation Timer

Set a length and the field eases itself out — a gentle fade over the final stretch, never an abrupt cut. The field stays loaded, so you can begin again with a tap.

: : HH : MM : SS
Export Audio · WAV

Renders your current field — every active tone, noise source, the phaser and the stereo imager — to a 44.1 kHz / 16-bit .wav. This is an offline bounce (like exporting a mix), not a live recording, so keep listening and adjusting while it works. You'll be asked where to save it; on browsers without a save dialog it goes to your downloads folder under the name below.

: : HH : MM : SS
.wav
Root Tones

Low carriers. Lay one or two beneath your selected frequencies to establish the field.

Gene Key Frequencies

Sixty-four tones aligned with the Gene Keys and I Ching sequence, followed by eight emergent tones (marked *) that extend the lattice beyond the traditional archetypes. Search by number or siddhi.

Noise Field

Combine with tones. The wah slowly opens and closes a moving filter — a breathing, shoreline quality.

About This Instrument

About This Instrument

This is not music. It is a ternary harmonic lattice built from 64 frequencies aligned with the Gene Keys and I Ching sequence. Each frequency may be explored individually or combined with others to create harmonic fields and interference patterns.

Many listeners report meditation support, relaxation, dream activity, altered perception of space, increased awareness of subtle body sensations, and emergent beat patterns.

There is no correct way to use the instrument. Experiment. Listen through the tones rather than to them.

Fine Control

Double-click any slider to return it to its default. Double-click a value readout to type an exact number and press Enter. Use the Meditation Timer to have the field fade itself out gently after a set time, and Export to render your current field to a .wav you can keep. The Fade Out button eases everything to silence while leaving your field intact, so you can resume with a tap.

Waveforms

Sine — Pure tone, no added harmonic content. Reveals the fundamental relationships and beat patterns between frequencies.

Triangle — Soft harmonic content. Smooth and spacious, introducing gentle overtone structure.

Sawtooth — Rich harmonic spectrum. Produces dense interference patterns and complex harmonic interaction.

Square — Strong harmonic character. Can emphasize rhythmic beating and standing-wave effects.

Sine waves reveal the lattice most directly. The other waveforms reveal how the lattice behaves as harmonic complexity increases.

Root Tones

Spark — 20.85 Hz. Low subharmonic field tone often used for deeper body and fascia entrainment. Works best with a good subwoofer or bass-capable headphones. Many headphones technically reach near twenty hertz, though quality varies significantly.

Anchor — 29.48 Hz. Low subharmonic tone corresponding to the coherence-anchor field. Useful as a centering carrier beneath selected Gene Key frequencies.

Aux Tone — 33.33 Hz. Auxiliary torsion tone. Not one of the primary mapped Gene Key frequencies. Included because it interacts strongly with the lattice field and can function as a moving canvas beneath the other tones.

Use one or two root tones beneath your selected frequencies. Many users find they help establish the harmonic field upon which the rest of the lattice unfolds.

Emergent Tones · 65*–72*

Eight tones sit beyond the traditional sixty-four, marked with an asterisk. They are not hexagrams. They correspond to emergent findings in genetics and to work continuing in the I Ching and Gene Keys traditions, and they offer additional closures for anyone wishing to explore the lattice past the classical archetypes.

They are offered as an invitation rather than a doctrine. 71* is worth listening for in particular: at 1334.40 Hz it falls exactly four times tone 27 and thirty-two times tone 1 — five clean octaves above the first tone of the lattice. It closes one cycle and opens the next.

Hold 1, 27, and 71* together and the relationship becomes audible rather than theoretical.

Noise Field

White Noise — Equal energy across frequencies. Bright and airy.

Brown Noise — Emphasizes lower frequencies. Deep and grounding.

Noise may be combined with tones. The Wah controls slowly open and close a moving filter through the noise field. Many listeners find this creates a breathing or shoreline-like quality.

Phaser

The master phaser operates across the entire harmonic field. Its purpose is exploration. By slowly shifting which frequencies are emphasized, different interference structures and harmonic relationships become more apparent.

Try no phaser, slow phaser, deep phaser, and wide stereo phaser — and notice how the field changes.

Support

If this instrument supports your practice, meditation, exploration, or creative work, contributions are welcome.

Support the Work