If that sounds big: it is. Also, it’s practical. Think of it as a nine‑step breath the universe uses to make anything. You can learn it. You can feel it. You can use it.
Gentle promise: no dogma. Just a clean pattern you can test against your own experience.
Outward spark → exploration → crest → flip at center → gather → integrate → gestate → re‑spark. The middle cell is the Omnipresent Midpoint—the moment the flow becomes form and back again. Once you see this rhythm, you’ll notice it in breath, mood, projects, galaxies.
Prefer to play? Jump to the Quaternion Explorer or the Interactive Lattice.
Learn the adaptive neurochemical lattice by walking a mythic, embodied story. Not just about it—through it.
Traverse the backwards‑S path across ages, chemistry, and capacities. A rigorous yet humane map.
Galaxies as stable vortex patterns in a field‑primary cosmos. Why flat rotation curves are a signature, not a problem.
Drag the four components and feel rotation as a living hinge. Make the flip tangible.
See how the same nine‑beat pattern engineers functions across domains. From atoms to teams.
Watch the backwards‑S path, the breath cycle, and field lines. Then time your next move.
Electricity reaches. Magnetism holds. There’s a moment in the middle where they trade places. That flip—done nine ways in a loop—is the engine. It’s how breath turns to feeling, how teams ship projects, how galaxies keep their shape. Call it a lattice, a rhythm, or a grammar. You don’t have to believe it; you can just notice it working.
Under the hood you’ll see quaternion timing, torsional vorticity, and a still‑point scalar potential. If those words light you up, the cosmology paper and explorer are for you. If not, a story and a breath are enough to start.
If this helped you, sharing it is the easiest support. If you want to go further—collab, patronage, a roof, or resources—thank you. Reach out below.
EmailThis site is static HTML on Neocities. Interactive pieces are plain JS + Tailwind. All content is offered in good faith for learning and dialogue.
You’re entering a field, not a club. Start with one pass around the nine cells: notice when you’re pushing, when you’re flipping, when you’re holding. That’s enough to align your next small move with the bigger rhythm.